Rebecca Brantley
Rebecca Brantley
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“Feature: Montgomery Memorial to Lynching Is a Long Overdue Reckoning with Our Brutal History.” BURNAWAY, May 11, 2018.
“Feature: Portrait of ATL Airport: Mark Steinmetz at the High Museum.” BURNAWAY, April 16, 2018.
“Art Review: Al Taylor’s X-Ray Vision at the High Museum of Art.” BURNAWAY, January 11, 2018.
“Art Review: Rediscovering Rosemary Mayer at UGA Dodd Galleries.” BURNAWAY, November 14, 2017.
“Review: ‘Smoke, Mirror’ at Marcia Wood Gallery Illustrates the Importance of Stewardship.” ArtsATL, September 1, 2017.
“Review: Judy Henson pays homage to the art and culture of our region’s indigenous Americans.” ArtsATL, August 15, 2017.
“Review: Nature and the meaning of boundaries explored in Poem 88’s ‘Correspondences.’ ” ArtsATL, July 27, 2017.
“Review: “Gathered III” makes for a rich experience, conservative in tone.” ArtsATL, June 27, 2017.
“Review: Poem 88’s ‘ABSTRACTS’ engages 20th-century traditions in markedly different ways.” ArtsATL, June 1, 2017.
“Review: ‘My One and Only’ presents a bevy of distinct approaches to monoprinting.” ArtsATL, April 7, 2017.
“Art Review: Black Angels: Mickalene Thomas at the Spelman Museum of Fine Art.” BURNAWAY, March 17, 2017.
“Review: The Translated Mark” explores repetition, technical innovation and communication.” ArtsATL, March 16, 2017,
“Review: Camblin’s ‘Clues & Scientific Method’ Takes a Detective’s Eye to Art.” ArtsATL, March 3, 2017.
“Review: Lide’s ‘Putting the House in Order’ is a ritual of remembrance.” ArtsATL, January 30, 2017.
“Review: Benjamin Britton’s ‘The Incandescent Sub-Present’ tackles the complexities of memory.” ArtsATL, December 16, 2016.
“Review: “Phygital Muse” at Whitespec deals in difficult but timely subjects.” ArtsATL, December 15, 2016.
“Review: Hathaway’s ‘Cosmic Nostalgia’ and ‘Framework and View’ bond to the natural World.” ArtsATL, December 5, 2016.
“Feature: Outsider Art Site Pasaquan Restored to Artist’s Vision.” BURNAWAY, November 30, 2016.
“Review: Cheryl Goldsleger’s “Recent Works” takes a deconstructive approach to cartography.” ArtsATL, October 19, 2016.
“Review: Despite an abundance of objects, Lillian Blades’ work is far from chaotic.” ArtsATL, October 11, 2016.
“Review: ATLBNL leaves us with more crowded confusion than clarity.” ArtsATL, September 26, 2016.
“Art Review: In the Garden of Bosch and Cullum at Whitespace.” BURNAWAY, August 29, 2016.
“Review: Cut from the same cloth, The Hudgens showcases the designs of four Southern women.” ArtsATL, August 15, 2016.
“Review: Vesna Pavolvić’s eulogy for pictures, ‘Falls and Folds,’ at Whitespace.” ArtsATL, July 18, 2016.
“Review: the rose-tinted world of “Happiness Project” at Whitespace.” ArtsATL, June 1, 2016.
“Art Review: Picturing the South: Photographs from the Do Good Fund in Athens.” BURNAWAY, March 4, 2016.
“Art Review: Nature Gone Wild: Corrine Colarusso’s Stirred Fictions.” BURNAWAY, February 9, 2015.
“Art Review: A Down and ‘Dirty South’ at Mammal Gallery.” BURNAWAY, August, 28, 2016.
“Art Review: Repetition and Metamorphosis: Ann Stewart at Whitespace.” BURNAWAY, July 23, 2015.
“Art Review: Doom and Bloom: Romy Aura Maloon at Beep Beep Gallery.” BURNAWAY, June 4, 2015.
“Feature: Art Appreciation: It All Started in Kindergarten.” BURNAWAY, May 27, 2015.
“Art Review: Wifredo Lam’s Mixology, at the High Museum, with José Parlá and Fahamu Pecou.” BURNAWAY, April 17, 2015.
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