Rebecca Brantley
Rebecca Brantley
  • Bio
  • Curatorial
  • Essays & Reviews
  • Interviews
  • Studio
  • Links
  • Contact
  • Search
  • Login
“Feature: Montgomery Memorial to Lynching Is a Long Overdue Reckoning with Our Brutal History.” BURNAWAY, May 11, 2018.
“Feature: Portrait of ATL Airport: Mark Steinmetz at the High Museum.” BURNAWAY, April 16, 2018.
“Art Review: Al Taylor’s X-Ray Vision at the High Museum of Art.” BURNAWAY, January 11, 2018.
“Art Review: Rediscovering Rosemary Mayer at UGA Dodd Galleries.” BURNAWAY, November 14, 2017.
“Review: ‘Smoke, Mirror’ at Marcia Wood Gallery Illustrates the Importance of Stewardship.” ArtsATL, September 1, 2017.
“Review: Judy Henson pays homage to the art and culture of our region’s indigenous Americans.” ArtsATL, August 15, 2017.
“Review: Nature and the meaning of boundaries explored in Poem 88’s ‘Correspondences.’ ” ArtsATL, July 27, 2017.
“Review: “Gathered III” makes for a rich experience, conservative in tone.” ArtsATL, June 27, 2017.
“Review: Poem 88’s ‘ABSTRACTS’ engages 20th-century traditions in markedly different ways.” ArtsATL, June 1, 2017.
“Review: ‘My One and Only’ presents a bevy of distinct approaches to monoprinting.” ArtsATL, April 7, 2017.
“Art Review: Black Angels: Mickalene Thomas at the Spelman Museum of Fine Art.” BURNAWAY, March 17, 2017.
“Review: The Translated Mark” explores repetition, technical innovation and communication.” ArtsATL, March 16, 2017,
“Review: Camblin’s ‘Clues & Scientific Method’ Takes a Detective’s Eye to Art.” ArtsATL, March 3, 2017.
“Review: Lide’s ‘Putting the House in Order’ is a ritual of remembrance.” ArtsATL, January 30, 2017.
“Review: Benjamin Britton’s ‘The Incandescent Sub-Present’ tackles the complexities of memory.” ArtsATL, December 16, 2016.
“Review: “Phygital Muse” at Whitespec deals in difficult but timely subjects.” ArtsATL, December 15, 2016.
“Review: Hathaway’s ‘Cosmic Nostalgia’ and ‘Framework and View’ bond to the natural World.” ArtsATL, December 5, 2016.
“Feature: Outsider Art Site Pasaquan Restored to Artist’s Vision.” BURNAWAY, November 30, 2016.
“Review: Cheryl Goldsleger’s “Recent Works” takes a deconstructive approach to cartography.” ArtsATL, October 19, 2016.
“Review: Despite an abundance of objects, Lillian Blades’ work is far from chaotic.” ArtsATL, October 11, 2016.
“Review: ATLBNL leaves us with more crowded confusion than clarity.” ArtsATL, September 26, 2016.
“Art Review: In the Garden of Bosch and Cullum at Whitespace.” BURNAWAY, August 29, 2016.
“Review: Cut from the same cloth, The Hudgens showcases the designs of four Southern women.” ArtsATL, August 15, 2016.
“Review: Vesna Pavolvić’s eulogy for pictures, ‘Falls and Folds,’ at Whitespace.” ArtsATL, July 18, 2016.
“Review: the rose-tinted world of “Happiness Project” at Whitespace.” ArtsATL, June 1, 2016.
“Art Review: Picturing the South: Photographs from the Do Good Fund in Athens.” BURNAWAY, March 4, 2016.
“Art Review: Nature Gone Wild: Corrine Colarusso’s Stirred Fictions.” BURNAWAY, February 9, 2015.
“Art Review: A Down and ‘Dirty South’ at Mammal Gallery.” BURNAWAY, August, 28, 2016.
“Art Review: Repetition and Metamorphosis: Ann Stewart at Whitespace.” BURNAWAY, July 23, 2015.
“Art Review: Doom and Bloom: Romy Aura Maloon at Beep Beep Gallery.” BURNAWAY, June 4, 2015.
“Feature: Art Appreciation: It All Started in Kindergarten.” BURNAWAY, May 27, 2015.

“Art Review: Wifredo Lam’s Mixology, at the High Museum, with José Parlá and Fahamu Pecou.” BURNAWAY, April 17, 2015.
An icompendium Site
Loading...
Bibliography section article Bibliography Section Catalog Bibliography Section Web Link PDF icon small Sold Dot